Which is why it was nice to have Ricky Gervais there to keep things a little more interesting. Usually hosts are expected to follow the Billy Crystal or, more recently, Neil Patrick Harris model, keeping things positive and fun. Anyone who gets a little too snarky (Jon Stewart or Chris Rock, for example) get called a bad choice. So I fully expect most of the media to dismiss Gervais for either being too insulting, or, more likely, not going far enough.
But Gervais' "I don't give a shit" attitude, whether sincere or feigned, was refreshing for a job usually suited by those eager to please, and gave the show a different kind of energy. Whether making jokes at Mel Gibson's expense or bringing up UK vs. US Office yet again, he consistently made me laugh. And in a night filled with routine and unmemorable speeches (except for Robert Downey Jr., obviously), somebody had to. Although what is entertaining is seeing whose speeches they cut off and whose they don't. Meryl Streep? Can talk as long as she wants. Drew Barrymore? Martin Scorsese? Same deal. Everyone else? No such luck.
As for the awards themselves, they brought the usual mix of the expected and the unusual. I was fairly satisfied with the TV awards. Very happy with the well-deserved Dexter double dip for John Lithgow and Michael C. Hall (how is this his first win?). Probably should have taken best drama as well, but I won't complain about Mad Men's win. Also great to see Glee taking best comedy, but seriously, Chloe Sevigny over Jane Lynch for supporting actress? I realize it's hard to compare drama and comedy, and that I haven't watched Big Love since season 1 so how can I judge, but it still should have been Sue Sylvester.
In the movies things got a little more interesting. First of all, a big hooray for Nine's well-deserved shut-out in all categories. I guess the voters actually saw the movie. Or they listened to their friends and didn't. On the fully expected and deserved front, Mo'Nique, Christoph Waltz, and Up continued their awards sweeps that will continue through the Oscars. In toss-ups, Up in the Air stood out in a combined screenplay category cause it's really that good, Up got recognized for its great score, and Jeff Bridges got properly appreciated for Crazy Heart (though between here and on Conan, I'm starting to wonder if he's turning into Bad Blake). Crazy Heart also got recognition for having the only good song in the best song category, so suck on that "Cinema Italiano."
Moving to the odder wins, who would have expected The Hangover to take the top comedy/musical award? Certainly it wouldn't have been Nine, but I would have expected something a little more serious-seeming, like maybe (500) Days of Summer. So kudos to the Globes, then, for changing things up a little. The Hangover was just part of a streak towards more popular movies, which included Sandra Bullock winning for The Blind Side. Now, I haven't seen The Blind Side, and maybe her performance really is better than what's featured in the trailers, but this feels like the same instinct the HFPA had to give her 2 nods in the first place. Star whoring.
Of course, the biggest wins were Avatar's in drama and director. I have to admit, I'm disappointed that The Hurt Locker didn't take director, or anything for that matter. But my theory on the Globes is that their drama prize goes to whatever they think is going to take the Oscar. That explains past wins for movies that once seemed hot than faded by Oscar time, like Babel and Atonement. But since the foreigners have a less populist streak than the Oscars, if they're putting their bet on Avatar, it may really be unstoppable. Barring a surge from Hurt Locker or, looking less likely by the day, Up in the Air, this may just be a practice round for James Cameron before repeating at the Oscars.
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