TOP 10 MOVIES OF 2009

Now that it's March, I've waited an absurd amount of time to give my top 10 list, as this really should have been done 2 months ago. So while it's kind of irrelevant at this point, I figure as long as I slip them in before the Oscars it still counts, right? Plus, as some of these won't be rewarded tonight, I can still give them something.

1. Up in the Air

At one point this was poised to be the one to beat for best picture, and I'm not really sure why that changed. Up in the Air is a movie that feels simultaneously timeless and timely. It's the kind of impeccably written and acted adult comedy/drama that they just don't make like they used to, and the movie to best use our current economic troubles in a meaningful way. It was a very tough choice between this and my #2 pick, but ultimately this is the one I'll keep re-watching in years to come.

2. The Hurt Locker

The Hurt Locker's had so much acclaim elsewhere it can settle for #2 on my list. Still, in so many ways this is the movie people have been waiting for. For those craving a classic war like the Vietnam films of the 1970s, here you go. For those wondering if anyone could find a way to turn the Iraq War into art instead of a sermon, here's your answer. And if you want to see the most suspenseful movie of the year with the kind of knockout breakthrough performance that comes along very rarely, well, this is the one.

3. Avatar

There's a reason this is now the highest grossing movie of all time: it offers a cinematic experience unlike anything I've had before. It's easy to laugh off 3-D as a gimmick meant only for kids at an amusement park until you see how James Cameron used it to such stunning effect in creating an entirely original and believable world. Avatar certainly doesn't feature the most original story of the year, but it is the kind of big, epic narrative that demands to be taken seriously. In a year where so many big blockbusters failed to deliver, Cameron proved that the popcorn flick can dazzle instead of just amuse.

4. Up

Pixar has had such an insanely consistent record of excellence that Up isn't even my favorite of theirs and it still makes my top 5. It earned its spot with that early five-minute sequence alone, which created such a strong foundation for the rest of the movie you felt you knew everything about the character. Easily the best sequence of any movie this year. But they went the extra step in making sure the quality lasted for the rest of the film, giving a fun update on Sir Arthur Conan Doyle's The Lost World along with one of animation's best characters ever in Dug the dog. I may be too old for the Happy Meal toy, but I still love shouting "Squirrel!"

5. A Serious Man

The Coen Brothers love to spice things up, playing with different genres and styles in every one of their movies. Yet despite returning to the world of their youth, every frame still feels like a Coen Brothers movie, with the same wry and absurd sense of humor and same attention to visuals. There's a lot of ways this movie divides people, but its intelligent and hilarious script combined with the extraordinary way the Coens captured this time period proves they should keep trying new things, as I'll certainly be watching.

6. Inglourious Basterds

When I first heard this movie announced, I thought "Quentin Tarantino, Brad Pitt, and World War II. None of these things go together." I was wrong. Tarantino took the set-up of all those old classics and gave it his own unmistakable spin. He created so many amazing characters they could probably front their own movies, and his signature dialogue is far better served than in the unfortunate lark that was Death Proof. Here he definitively silenced anyone calling him a director of the '90s, as he once again created a defining movie for this past decade.

7. (500) Days of Summer

Following Little Miss Sunshine and Juno, some felt Summer was just another overly precious indie that wasn't as good as its fans made it out to be. Obviously I'm not of that camp. Summer took the most traditional of movie plots and made it feel fresh. Sure, gimmicks like the time jumping and split screen scene helped, but what really caused all the love was its sincerity. In a time when so many similar movies are filled with quirkiness and snark, real characters and feelings make this one stand out.

8. District 9

The other big alien movie of 2009 was pretty much unlike Avatar in every other way, with its relatively tiny budget, no name cast, and grittier style. It was also the far more successful allegory, teaching me more about apartheid in South Africa than Invictus ever did. Everything about District 9 was untraditional, from its unlikable protagonist to its documentary style opening. Which is why District 9 kept me guessing more than anything else from the year.

9. An Education

Like (500) Days of Summer, An Education is a movie that seems simple at first but actually has more going on. The traditional coming-of-age movie has been done to death, but rarely with all the elements in such fine form. Between Nick Hornby's humorous and touching first screenplay and Carey Mulligan's breakthrough role, there was plenty to freshen up this tale. And by really going into the time period, it played almost like a British, female Mad Men. With such a strong supporting cast, this gem still feels overlooked despite the Oscar nods.

10. Star Trek

To this day I've still never seen a single episode of any Star Trek TV show nor any of the other movies. So the fact that I was able to enjoy this just as well as hardcore Trekkies (or, sorry, Trekkers) shows J.J. Abrams can do a reboot like no other. With its very appealing cast and great action, it was both a perfect summer movie and the kind of strong franchise-starter that leaves me eager to see what comes next.

Honorable Mentions: The Hangover, Food Inc, The Princess and the Frog, The Informant, Fantastic Mr. Fox

Best Picture: Up in the Air

Runner-Up: The Hurt Locker

Best Director: Kathryn Bigelow, The Hurt Locker

Runner-Up: James Cameron, Avatar

Best Actor: Jeremy Renner, The Hurt Locker

Runner-Up: Jeff Bridges, Crazy Heart

Best Actress: Carey Mulligan, An Education

Runner-Up: Maya Rudolph, Away We Go

Best Supporting Actor: Christoph Waltz, Inglourious Basterds

Runner-Up: Peter Sarsgaard, An Education

Best Supporting Actress: Mo'nique, Precious

Runners-Up: Anna Kendrick & Vera Farmiga, Up in the Air

Best Original Screenplay: Inglourious Basterds

Runner-Up: Up

Best Adapted Screenplay: Up in the Air

Runner-Up: An Education

Best Animated Film: Up

Runner-Up: The Princess and the Frog

Best Documentary: Food, Inc.

Best Song: "The Weary Kind," Crazy Heart

Runner-Up: "All Is Love," Where the Wild Things Are

The Ricky Gervais and James Cameron Show

When it comes to the Golden Globes, we watch more for the show than the awards. After all, it's supposed to be the more fun, wacky version of the Oscars, with alcohol actually served and everyone taking their wins a little less seriously. In that respect, tonight's entertainment factor was, as usual, less than might be hoped for. Sure, there was some incoherence (Felicity Huffman) and clearly under the influence of something speeches (Kevin Bacon), but generally it was the same old same old of awards shows.

Which is why it was nice to have Ricky Gervais there to keep things a little more interesting. Usually hosts are expected to follow the Billy Crystal or, more recently, Neil Patrick Harris model, keeping things positive and fun. Anyone who gets a little too snarky (Jon Stewart or Chris Rock, for example) get called a bad choice. So I fully expect most of the media to dismiss Gervais for either being too insulting, or, more likely, not going far enough.

But Gervais' "I don't give a shit" attitude, whether sincere or feigned, was refreshing for a job usually suited by those eager to please, and gave the show a different kind of energy. Whether making jokes at Mel Gibson's expense or bringing up UK vs. US Office yet again, he consistently made me laugh. And in a night filled with routine and unmemorable speeches (except for Robert Downey Jr., obviously), somebody had to. Although what is entertaining is seeing whose speeches they cut off and whose they don't. Meryl Streep? Can talk as long as she wants. Drew Barrymore? Martin Scorsese? Same deal. Everyone else? No such luck.

As for the awards themselves, they brought the usual mix of the expected and the unusual. I was fairly satisfied with the TV awards. Very happy with the well-deserved Dexter double dip for John Lithgow and Michael C. Hall (how is this his first win?). Probably should have taken best drama as well, but I won't complain about Mad Men's win. Also great to see Glee taking best comedy, but seriously, Chloe Sevigny over Jane Lynch for supporting actress? I realize it's hard to compare drama and comedy, and that I haven't watched Big Love since season 1 so how can I judge, but it still should have been Sue Sylvester.

In the movies things got a little more interesting. First of all, a big hooray for Nine's well-deserved shut-out in all categories. I guess the voters actually saw the movie. Or they listened to their friends and didn't. On the fully expected and deserved front, Mo'Nique, Christoph Waltz, and Up continued their awards sweeps that will continue through the Oscars. In toss-ups, Up in the Air stood out in a combined screenplay category cause it's really that good, Up got recognized for its great score, and Jeff Bridges got properly appreciated for Crazy Heart (though between here and on Conan, I'm starting to wonder if he's turning into Bad Blake). Crazy Heart also got recognition for having the only good song in the best song category, so suck on that "Cinema Italiano."

Moving to the odder wins, who would have expected The Hangover to take the top comedy/musical award? Certainly it wouldn't have been Nine, but I would have expected something a little more serious-seeming, like maybe (500) Days of Summer. So kudos to the Globes, then, for changing things up a little. The Hangover was just part of a streak towards more popular movies, which included Sandra Bullock winning for The Blind Side. Now, I haven't seen The Blind Side, and maybe her performance really is better than what's featured in the trailers, but this feels like the same instinct the HFPA had to give her 2 nods in the first place. Star whoring.

Of course, the biggest wins were Avatar's in drama and director. I have to admit, I'm disappointed that The Hurt Locker didn't take director, or anything for that matter. But my theory on the Globes is that their drama prize goes to whatever they think is going to take the Oscar. That explains past wins for movies that once seemed hot than faded by Oscar time, like Babel and Atonement. But since the foreigners have a less populist streak than the Oscars, if they're putting their bet on Avatar, it may really be unstoppable. Barring a surge from Hurt Locker or, looking less likely by the day, Up in the Air, this may just be a practice round for James Cameron before repeating at the Oscars.

Another Win for Pixar

Grade: A

It may seem silly to write about Up now, when it's been in theaters for over two months and probably all of you have already seen it. I saw it a month and a half ago by now, so it's not even fresh in my mind. But now that we're in to summer's final month, I realized I had to say something about the summer's best movie.

Why #1? I have to say, it's largely due to a single sequence at the very beginning of the movie. You know the one I'm talking about. That five minute, largely silent sequence that shows the entire relationship between Carl and Ellie, from first meeting to Ellie's death. Not only is it beautifully done and leaves everyone a bit teary, but by the end of it you know everything you need to know about Carl. Before the plot begins and with only a few words spoken, we know Carl better than we know most movie characters after 2 and a half hours.

Which is why Up proves Pixar's crazy success and universal lovability is not due only to its impressive animation or even its choice of stories. Whether rat, fish, toy, or talking dog, Pixar is incredible in its ability to develop its characters, making you care very deeply for that hunk of metal with a thing for Barbara Streisand or, here, the old man who takes his house with him on an adventure to South America.

Carl's hardly the only standout character from Up. After launching his house in the air via a few thousand balloons, Carl soon finds a co-pilot in Russell, a Boy Scout who inadvertently tagged along for the ride. Russell could easily have been the typical annoying little kid, so the fact that he remains likable is to the movie's credit. But the best is Dug, a talking dog they encounter upon landing. With a collar that lets him speak everything he thinks, including every squirrel-shaped distraction, Dug provides the movie's best humor.

If talking dogs seems like the stuff of kids movies, it is. Even with all of its adult themes, Up is a big step back towards pleasing the young ones after the far more adult Wall-E. Also, I'm not sure the extra $4 for 3-D was quite worthwhile, since it was there more for texture than to really give a 3-D experience. I still wouldn't say Up is Pixar's best film (that would be Wall-E or The Incredibles for me), but certainly top echelon. By combining fun, Lost World-style adventure with effective emotion and solid humor, Up ranks top for the summer.

Summer Movie Preview

Last Friday, Entertainment Weekly released its Summer Movie Preview, one of my favorite issues of the year. It looks like this summer's even more packed with movies worth seeing than usual, so while I'm listing my top 10 must-sees of the summer, I had to toss on 5 more.

Wolverine (May 1st)
Like I'm going to miss out on the first big movie of the summer. Yeah, I thought X-Men 3 was an overstuffed mess, and I've always put Spider-man and Batman higher on my preferred superheroes list. But with a focus on one mutant instead of 30, and an intriguing supporting cast (Charlie!), I've got high hopes this will be remembered well come summer's end.

Star Trek (May 8th)
I've never seen a single episode of any Star Trek series. Nor have I ever seen one of the movies. But with JJ Abrams at the helm and trailers that play down the Star Trek connection, I can't wait.

Terminator Salvation (May 21st)
Christian Bale is just what John Connor needs to lose his rep as whiny and annoying (see: Edward Furlong in T2, the Sarah Connor Chronicles on TV). Rumors of an Ahnuld cameo add one more reason to check this out, but I'd show up just for the theme song.

Up (May 29th)
With The Incredibles, Ratatouille, and Wall-E, Pixar's been on a hot streak of great movies for all ages (we'll give them a pass on Cars). If Up is anywhere near as good, we may have to list the great Pixar movie as more of a summer fixture than superheroes.

Land of the Lost (June 5th)
I haven't seen the '70s show and I can't say I was excited when the movie was announced. But the trailer won me over, as did the presence of Danny McBride and Pushing Daisies' Anna Friel.

Public Enemies (July 1st)
A historical biopic with Oscar possibilities in the summer? Sounds like a nice break from sequels. As John Dillinger, Johnny Depp's found another part that fits his oddball charm, and Christian Bale makes his 2nd appearance on the list.

Bruno (July 10th)
If you've seen the redband trailer, you know this will be the funniest movie of the summer. So if you just started sighing in relief over the decline of obnoxious Borat imitators, tough luck. I'm calling it now: Bruno will be the most quoted movie of 2009.

Harry Potter and the Half-Blood Prince (July 15th)
Since most of us were ready to see this at its original release date last Thanksgiving, this is a long overdue must-see. With no more books to bring us back to Hogwarts, these last few movies will be all the bigger.

Funny People (July 31st)
I'm not quite sure what to make of this Punchline-style dramedy about stand-up comics. But I do know Judd Apatow is currently 2 for 2 on movies he's directed. So that automatically makes this my (second) most anticipated comedy this summer.

Inglourious Basterds (August 21st)
Late August is a strange time to release a big movie, but there's a lot that's strange about this one. Quentin Tarantino, Brad Pitt, and World War II - three things that you wouldn't expect to see together in any possible combination. But from the trailer, this looks like the movie Valkyrie should have been.

And 5 more:

Angels & Demons (May 15th) - More obligation than desire, but I'll still see it.

Away We Go (June 5th) - A Sam Mendes roadtrip comedy? Absolutely.

Whatever Works (June 19th) - Like I'm missing a Woody Allen movie.

(500) Days of Summer (July 17th) - Can it still be called a sleeper hit if it's what everyone already thinks it will be?

Taking Woodstock (August 14th) - The only other movie besides Public Enemies with a shot of lasting til Oscar season, and it's Ang Lee!

Top 5 Super Bowl Trailers

The best part of Super Bowl commercials is an early look at all the summer's big movies. Here are five of the more notable Super Bowl trailers.

Land of the Lost



Will Ferrell, Danny McBride, and Anna Friel of Pushing Daisies doing the Jurassic Park thing? I'm in.

Star Trek



Interesting how they continue to downplay the Star Trek part in favor of the young cast and the action. Since I've never seen Star Trek, that works for me.

Monsters vs. Aliens



I didn't get the 3-D glasses, but this appears to be about an alternate universe in which Stephen Colbert became president and installed Jack Bauer as head of the military. With GOB, Dwight, Seth Rogen, and Paul Rudd also in the voice cast, it's got to be funnier than what was in the trailer.

GI Joe



No idea how this relates to the original action figures, but I'm curious to see Dennis Quaid as an action hero.

Up



Ok, Pixar didn't give any new footage for this trailer. But since the Year One spots looked kind of disappointing (though with Jack Black, Michael Cera, Paul Rudd, and Harold Ramis directing, it's gotta be better than it looks), Angels of Demons still looks like The Da Vinci Code, and Transformers is...Transformers, Pixar's winning out.