Showing posts with label Pushing Daisies. Show all posts
Showing posts with label Pushing Daisies. Show all posts

Wednesday, June 3, 2009

The Return of Feel-Good TV


Sorry everyone for the prolonged hiatus. I'm not quite sure where the month of May went, but 7 posts in one month is completely unacceptable. I've got a ton of movie reviews I owe you, and there's a bunch of stuff happening in TV the past few weeks as well, but I'd like to start with a show that makes me smile like none other.

I'm talking of course about Pushing Daisies, which returned for its final (tear) three episodes this past Saturday, burned off by ABC not only during summer season, but on Saturdays. Really, they have more pressing things to put on every other night of the week? But while I'm sad I've now only got two episodes left, this past week reminded me of everything I'll be missing.

The facts were these: While the episode did not continue with the December cliffhanger that Ned's father is back and eating pie at the Pie Hole, it did provide everything a good Pushing Daisies episode needs. Wacky place of work for the murder to occur? Check. Rapid-fire dialogue filled with puns and alliteration? Double check. But what made it a great episode: Olive singing Lionel Ritchie's "Hello."

From the window display murders to the escaped-from-jail non-kidnappers, I felt happy the whole time I was watching. Sad that ABC can find room in its heart for bubble shows like already-aired-its-series-finale Scrubs, probably-has-a-lower-audience Better Off Ted, and who-really-watches-this-crap Private Practice but not for something as joyful as Pushing Daisies. Hard to see what show could possibly fill this niche.

Or is it?


I haven't managed to write about Glee yet, which had a sneak-peak pilot after the penultimate episode of American Idol a few weeks ago, but if any show will cause me to check my cynicism and just enjoy this fall the way Pushing Daisies has, this one gets my vote.

It's essentially High School Musical meets Election. An idealistic young teacher (Broadway's Matthew Morrison) with a crazy wife (Nip/Tuck, Heroes, everything's Jessalyn Gilsig) takes over the school Glee club, bringing together various typical high school misfits, one diva (Spring Awakening's Lea Michele), and one athlete. Plus Jane Lynch steals scenes as the cheerleading coach.

The Election part comes in as voiceovers are given to the teacher (who's essentially the Matthew Broderick character), the diva (a musical Tracey Flick), and the athlete (Chris Klein in Election crossed with Chris Klein in American Pie). It's also got just enough of a satirically comic bent that you don't dismiss the show as overly cheesy. As for the High School Musical part, it's very sincere and has a lot of singing.

Don't let that turn you away though. Casting Broadway actors means they can actually sing, and for now the sincere / funny ratio is nicely balanced. Plus, Kristin Chenowith is going to come on as recurring, helping to fill the Pushing Daisies void even better! Until creator Ryan Murphy pulls a Nip/Tuck and makes everything way too extreme to watch, this should be a worthy addition to a pretty weak fall schedule. Still not convinced? Watch this:

Wednesday, January 7, 2009

TOP 10 TV SHOWS OF 2008

2008 was not a strong year for TV. The writer's strike nearly destroyed the spring season and left the fall season with no new shows worth putting on my list. But those shouting that this Golden Age of Television is over are a bit premature, as I've got ten shows right here that prove TV is doing just fine. Here are my top 10 TV shows of 2008 and my 2008 TV awards:

1. Lost
Lost may always top my top 10 list, but rarely has it deserved the spot so much. This season Lost found the perfect balance between mythology and character. For every Ghost Christian in a cabin, there was a heartwarming phone call between Desmond and Penny and a personal tragedy for Ben. Lost also finally figured out how to bring in new characters, teasing Faraday and Co. without letting them take over. Just as last year's finale changed the game with flashforwards, this season's final scene left a freighter full of questions. Who's alive? Who's dead? Who cares! Being confused has never been this exciting, and I can't wait until January 21st.

2. Mad Men
Mad Men's first season was hard to top, bringing us into the world of 1960s advertising and the life of the mysterious Don Draper. Season 2 started slow, with a new copier and the insufferable Barretts. But every story served its purpose by the end. Peggy had a great season, moving up the creative chain while hiding her secret until a heartbreaking scene with Pete. Betty became a whole new person after kicking Don out. Even minor characters like Duck Phillips and Freddy Rumsen got episodes to shine. By the time the Cuban Missile Crisis hit in the explosive finale, it was clear Mad Men is no one season wonder.

3. Dexter
Season 1 was the hunt for the Ice Truck Killer. Season 2 saw Dexter hunted. Season 3 was...the friendship of Dexter and Miguel Prado? Doesn’t sound quite as cool. Yet as their relationship shifted from best friends to student and teacher to enemies, their psychological games created all the suspense needed. It helps that Jimmy Smits was able to play both charismatic and deranged so fantastically. Who cares if the IA girl was annoying or the Skinner plot didn’t satisfy? The Dexter/Miguel face-off, along with Dexter’s shift to family man, made season 3 must-see TV.

4. How I Met Your Mother
It may have seemed like a Friends rip-off at first, but How I Met Your Mother quietly became the best comedy on TV. HIMYM came back from the writer’s strike with nearly a full season of episodes. And good ones, too. Like Ted’s very sweet two-minute date for Stella. And Robin Sparkles’ hilarious break-up ballad “Sandcastles in the Sand.” Plus, Neil Patrick Harris’ Barney Stinson may be the single best character on TV. Season 4 got a bit more serious with everyone looking to the future. But whether the gang is addicted to interventions or singing “Let’s Go to the Mall” karaoke in a Canadian bar, the show is consistently legen – wait for it – dary.

5. Pushing Daisies
The fact that the most innovative comic fantasy on TV has been canceled is sad. But the fact that it got canceled just when it was getting so good makes it tragic. Pushing Daisies has done procedural better than CBS since day 1, with crimes involving a comfort food bake-off, gambling with Chinese food, and magicians. But with the arrival of the mysterious and deadly Dwight Dixon, the serial element kicked in just as strong. The last episode, which saw the gang covering up a murder from Norwegian detectives, was as suspenseful as anything on Dexter. With one hell of a cliffhanger, it will be a long wait until those final three episodes air.

6. The Daily Show/The Colbert Report
The presidential election was the TV event of the year, and Comedy Central was the place to watch it. From the primaries to the transition, Jon Stewart and Stephen Colbert had more insight than any of the real news networks. On The Daily Show, Stewart brought out all the ridiculousness and hypocrisy of the campaign to hilarious effect. On The Colbert Report, Colbert personified said ridiculousness and hypocrisy. Both of them had their best material since, well, Indecision 2004.

7. Top Chef
Top Chef is my favorite reality show for combining two great things: food and competition. I may not get to taste anything the chefs make, but it all sure looks good. Season 4 had some of the most talented chefs yet, as Richard, Dale, Antonia, and Andrew all had a decent shot. But it was still satisfying to see the very deserving Stephanie become the first female Top Chef. This season has seen a number of early stand-outs while taking full advantage of the New York setting. Top Chef makes it on because unlike in most reality shows, talent wins out over drama.

8. 30 Rock
Tina Fey's Sarah Palin impersonation may have made her the Comedienne of the Year, but she brought the funny just as hard in her day job, as writer/star of 30 Rock. Her Liz Lemon has gone from best straight-man to straight-out funny as the show has gone on. But best is still Alec Baldwin's Jack Donaghy. From greenlighting "MILF Island" to working for the Bush administration, Jack always gets the funniest stories. Throw in Will Arnett in a hilarious recurring part, and I'm starting to understand why critics love 30 Rock so.

9. Battlestar Galactica
Despite the jaw-dropping reveal of four secret Cylons in season 3's finale, season 4 had a rough start. First there was Crazy Kara yelling, "WE'RE GOING THE WRONG WAAAAAAY!" Then there was Chief shaving his head. But somewhere around the midpoint of the season, BSG got awesome again. There was the Cylon civil war (badass), President Roslin's visions (creepy), and finally the landing on Earth (really creepy). I have no idea where this final season is going, but I know it will be frakking amazing.

10. The Office
In 2008, The Office showed its age. It put out a weak slew of episodes after the writer's strike and similarly dropped the ball after Amy Ryan's Holly was transferred back to New Hampshire. But when Amy Ryan was onscreen, The Office was often season 3 level good. The idea of a perfect woman for Michael is so mind-boggling that the joke never got old. From insulting Toby to beatboxing for Michael's lame rap, Holly's presence made everyone around her funnier. The Office needs her to transfer back, stat.

Now for my TV Awards:

Best Drama: Lost
Runners-Up: Mad Men, Dexter

Best Actor, Drama: Michael C. Hall (Dexter), Dexter
Runners-Up: Jon Hamm (Don), Mad Men; Bryan Cranston (Walt), Breaking Bad

Best Actress, Drama: January Jones (Betty), Mad Men
Runner-Up: Mary McDonnell (President Roslin), Battlestar Galactica

Best Supporting Actor, Drama: Michael Emerson (Ben), Lost
Runners-Up: Jimmy Smits (Miguel), Dexter; Vincent Kartheiser (Pete), Mad Men

Best Supporting Actress, Drama: Elisabeth Moss (Peggy), Mad Men
Runners-Up: Christina Hendricks (Joan), Mad Men; Jennifer Carpenter (Deb), Dexter

Best Comedy: How I Met Your Mother
Runners-Up: Pushing Daisies, 30 Rock

Best Actor, Comedy: Alec Baldwin (Jack), 30 Rock
Runners-Up: Lee Pace (Ned), Pushing Daisies; Steve Carell (Michael), The Office

Best Actress, Comedy: Tina Fey (Liz), 30 Rock
Runners-Up: Anna Friel (Chuck), Pushing Daisies; Mary-Louise Parker (Nancy), Weeds

Best Supporting Actor, Comedy: Neil Patrick Harris (Barney), How I Met Your Mother
Runners-Up: Chi McBride (Emerson), Pushing Daisies; Justin Kirk (Andy), Weeds

Best Supporting Actress, Comedy: Amy Ryan (Holly), The Office
Runners-Up: Kristin Chenowith (Olive), Pushing Daisies; Jenna Fischer (Pam), The Office

Saturday, December 20, 2008

Best Shows You're Not Watching: Winter Break Edition

Most TV shows won't be airing any new episodes until the week of January 5th, leaving two weeks without TV. So whether you've got a month-long winter break from school, a week or two break from work, or you're just missing Top Chef, now's a good time to catch up on those shows you've been meaning to get to. I'll tell you the top 5 shows worth checking out on DVD this month. My criteria are quality, addictiveness, and how recent the show is, so you can catch up quickly. Hence the absence of older shows like Lost.

5. Mad Men

Mad Men has replaced The Wire as the show you are sick of critics telling you to watch. But with only two seasons having aired, it's easy enough to catch up. The show's about Don Draper (Jon Hamm), a tight-lipped ad agency exec in the 1960s. Between the history of 1960s New York, the focus on advertising, the amazing characters, and the excellent acting and writing, there's something for anyone to enjoy. Mad Men moves with the same slow pace as The Sopranos, so it's not the best choice for a winter break marathon. But it is the show of the moment, so best get on the bandwagon now.

4. Dexter

Super-addictive and unlike anything else on TV, Dexter makes perfect TV on DVD. Season 1, in which friendly serial killer Dexter Morgan (Michael C. Hall, as amazing yet completely different than he was in Six Feet Under) faces off against the Ice Truck Killer, just gets better and better with each episode. Season 2, in which Dexter finds himself the target, is even more exciting. Season 3 won't be on DVD until late summer, and with season 4 a year away there's no rush. But if you want a show that will send you flying through the discs as fast as Lost, this is the one.

3. Pushing Daisies

Yes, it's been canceled, which may seem like a reason not to bother starting now. But since there's only been 19 episodes between the two seasons, it's hardly a big commitment. It's the story of piemaker Ned (Lee Pace), who has the power to bring the dead back to life for 60 seconds, which he uses to solve crimes. There's a lot of fantasy, and the show can get cutesy at times, so it's certainly not for everyone. But the show's wacky mysteries are unlike anything on any procedural, and the top-notch cast makes their quirky characters funny and adorable. Check it out now and you can still catch the last three episodes in 2009.

2. How I Met Your Mother

Regular readers of Zandervision know I'm a big fan by my frequent posts. In its fourth season, HIMYM is the oldest show on this list. But with half hour episodes, the seasons will fly past. If the title doesn't do it for you, don't worry. It's basically just a younger, hipper version of Friends. Except it's also got an obsession with continuity to rival Lost, a knack for coining phrases to rival Seinfeld, and one of the best characters on TV in Barney Stinson (Neil Patrick Harris). It's hardly great TV on the level of Mad Men or Dexter, but the cast is so much fun you'll wish they were your friends. Watch enough of the show, and you might think they are.

1. Damages

Having only had one hyper-suspenseful season, Damages is very easy to catch up on. And with season 2 starting January 7th, now is the time to do it. Don't make the mistake of hearing "lawyer show" and tuning out, because this is unlike any lawyer show you've ever seen. The series begins with an attempted murder on protagonist Ellen (Rose Byrne) and a real murder of her fiance, David. From there, it flashes back six months to when Ellen started working for high-profile New York lawyer Patty Hewes (Glenn Close), in the middle of a lawsuit against corrupt CEO Arthur Frobisher (Ted Danson). Close, Danson, and Frobisher's lawyer Ray Fiske (Emmy winner Zeljko Ivanek) are all fantastic, and the constant double crosses and manipulations keep you guessing until the last second. With more time spent on hit men than courtrooms, this is the 24 of lawyer shows. Start watching now before it becomes the cool thing to do.


Friday, November 21, 2008

Bad News from ABC


Well, the day we all feared has finally arrived: Pushing Daisies has been canceled. They've already shot the 13 episodes ABC ordered, so we still get 7 more episodes. I have to assume the decision was made for how much the show costs, because the ratings were bad, but not that bad. Maybe this was a case where an Emmy win for comedy would have made a difference. But with nothing else on TV like it, there isn't any other show that can easily fill the void. Creator Bryan Fuller has tried to put a hopeful spin on it. He says he plans to finish the story through comic books. That's great in theory, but I can't say I've read a single issue of Buffy Season 8. He talks about a movie version, but so did Rob Thomas after Veronica Mars was canceled. And as for reports that he'll be going back to Heroes? A couple watchable episodes of Heroes doesn't make up for the loss of a much better show.

But Pushing Daisies wasn't the only show canceled yesterday on ABC. Dirty Sexy Money and Eli Stone got the plug pulled as well. I didn't watch either show, so I can't say if the cancellations were warranted. The Dirty Sexy Money pilot didn't do it for me, and those advertisements with George Michael were enough to lose my interest in Eli Stone. But I do know both shows have a lot of passionate fans, if not to the same extent as Pushing Daisies. And as a television viewer, it pains me to think that ABC let these three go while keeping Private Practice.

But the TV news isn't all bad today. A few sprinkles of good news:

Mitchell Hurwitz and Ron Howard are making a deal with Fox Searchlight for an Arrested Development movie. That's right. It's no longer just Jason Bateman saying it would be cool. It is actually happening. Now we just need the cast to gang up on Michael Cera and force him to join in.

Also, a new promo for the new season of Lost:



Sure, The Fray isn't the most obvious musical pairing for Lost, other than that the word "lost" is in the song. And yes, nearly all of the clips are from previous seasons. But after 6 months with no new Lost, I'll take anything. Only two more months from today!

Saturday, October 11, 2008

PSA: Watch Pushing Daisies

The winner of the Arrested Development/Veronica Mars award for the great show too few people are watching is Pushing Daisies. And it's a shame, because as the last two episodes have shown, it really is the most enjoyable show on right now. It's got a little of everything: mysteries, a love story, a fairytale, comedy, music, and pies. With its colorful landscapes, cutesy names, outrageous mysteries, and fast-talking dialogue, it is like nothing else on television. And best of all to newcomers? It's easy to join in. There's no overriding mythology like on Lost and every episode is pretty self-contained. To make it even easier, I'll tell you everything you need to know about the show right here.

The facts were these: One touch from Ned brings a person back to life, a second touch makes them dead again. If he leaves them alive longer than 30 seconds, someone else dies. This happened when Young Ned brought his mother back, causing Chuck (his true love)'s father to die. At the funeral, Ned and Chuck shared their only kiss. Chuck went to live with her aunts, Lily and Vivian, and Ned did not see her again. Years later, Ned owns the Pie Hole (as in shut your) and solves mysteries with private detective Emerson Cod. Ned questions the dead and Emerson solves the mysteries. On one case, Ned realized the murder victim was Chuck. When he questioned her, he found he couldn't kill her again after 30 seconds. So while Ned finally has Chuck back in his life, there is one catch: he can never touch her.

Each episode's based around a mystery that Ned, Chuck, and Emerson need to solve. If that sounds a little too much like a procedural for you, I guarantee that Law and Order has never had a case like these. Last season featured a scratch and sniff bomb, cars that ran on flowers, and a series of murders inside a candy shop. And if you like Jim and Pam on The Office, imagine if they couldn't touch! Watching Ned and Chuck kiss through saran wrap and hold hands through plastic is simultaneously adorable and sad.

Another reason to watch? The cast. As Ned and Chuck, Lee Pace and Anna Friel make their characters so awkwardly adorable that you have to root for them. As gruff PI Emerson, Chi McBride hilariously keeps the show from getting too gooey. Swoosie Kurtz and Ellen Greene as Aunts Lily and Vivian create a great odd couple, even as they are separate for being in the dark about Chuck's second life. And Wicked's Kristin Chenowith livens things up further as Olive Snook, the waitress hopelessly in love with Ned, and even sings from time to time.

Two episodes in, this season's looking just as great as the 9 that made up season 1. In the premiere, Chuck went undercover at a honey company (she loves bees) to find out who killed the former spokesperson (with bees). Olive took Hamlet's advice and got herself to a nunnery after hiding too many secrets (last season she found out Lily is Chuck's mother). And Chuck moved out of Ned's apartment into Olive's to start a more independent life (next door). In the second episode, Emerson took a case of a girl who ran away to the cirus because it reminded him of the daughter he hasn't seen in 7 years. This meant talking to a lot of dead clowns.

If this all sounds overly quirky and cutesy, it is, and the show is certainly not for everyone. The dialogue sometimes seems out of a Dr. Seuss story for its fast patter and alliterative names. But if you're looking for something both funny and touching, happy and sad, and always satisfying, there's nothing else like it on TV.